Celemony – Melodyne Editor v2.0.1 (AU, VST, RTAS) [MAC]


Year of issue: 2011
Version: 2.0.1
Developer: Celemony
Platform: PPC / Intel universal
System requirements: Intel Dual Core processor, 4 GB RAM, OS X 10.5 or later
Interface language: English only
Tabletka: Not required


Description: The new version offers a unique ability to work with different frets and temperaments, more powerful tools for rhythmic correction, Rewire integration and many other improvements.
Users can now work with various ethnic (Arabic, Indian, and so on), modern and other experimental microtonal scales. You can use either ready-made templates or create tunings yourself. There is a unique Scale Detective function that detects the musical scale and key of a sample or part, and makes it easy to transfer these parameters from one recording to another.
Thanks to the new Attack Speed ​​tool, users can edit the starting transients individually for each note. In addition, the new Time Handles tool allows you to edit temporal variations even within individual notes.

 

Features
single-track audio editing environment with Melodyne technology
suitable for monophonic, polyphonic and rhythmic/complex audio material
offers with DNA direct access to individual notes within chords
works as a plug-in (VST, AU, RTAS) in compatible DAWs under Mac OS X and Windows
can also be used in stand-alone mode
can also be connected via Rewire to compatible DAWs
supports ARA Audio Random Access in compatible DAWs
activation on up to two computers or via iLok
user interface and manual in English, German, French, Spanish and Japanese

 

Applications
manual or automatic correction of intonation and timing errors
refashioning of melodies, harmonies, timing and rhythm
transposition including adjustment to scale
creation and editing of scales, extraction of scales from recordings
modifying various note parameters such as volume, vibrato, formant spectrum
in-depth editing of the timing of notes
pitch shifting and time stretching
(re-)quantization
MIDI file export

 

Monophonic and polyphonic material
In the case of monophonic (solo voice, saxophone, bass guitar…) and polyphonic (piano, guitar…) audio material, the following possibilities exist for editing notes:
modifying the pitch
modifying the pitch drift
modifying the pitch modulation
modifying the position
modifying the length
modifying the attack speed
modifying the time course within notes
modifying the volume
shifting the formant spectrum
modifying the pitch of any transition between notes
modifying the volume of any transition between notes
shifting the formant spectrum of any transition between notes
timing (re-)quantization, manually or via macro
pitch quantization, manually or via macro
cut, copy and paste
If, in the case of polyphonic material, two or more instruments play a note of the same pitch on the same beat, one note only, representing the combined sound of the instruments in question, is available for editing (no separation of instruments).

 

Rhythmic and complex material
In the case of rhythmic and complex material, separation is according to beats, so if several notes (e.g. click and snare) sound on the same beat, they are available for editing in the shape of one Melodyne blob only. For such blobs, the following editing possibilities exist:
modifying the pitch (relative)
modifying the position
modifying the length
modifying the volume
modifying the attack speed
modifying the time course within notes
shifting the formant spectrum
modifying the volume transition between blobs
shifting the formant spectrum of transitions between blobs
timing quantization, manually or via macro
cut, copy and paste


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